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Fiction of Scandal.
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- Author(s): El-Ariss, Tarek1
- Source:
Journal of Arabic Literature. 2012, Vol. 43 Issue 2/3, p510-531. 22p.- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: Abstract This article examines the tribulations of the Arab author in the age of social media. Focusing on Youssef Rakha, Abdo Khal, Ahmad Alaidy, Rajaa Alsanea, and Khaled Alkhamissi, I tie in acts of hacking, manipulation, and marketing in and of their works to questions of ethical ambivalence and aesthetic fluctuation, translational politics and canon formation that arise from threatening and violent encounters occurring on the street, in writing workshops, and on Twitter. I argue that the author emerges in new writing as the faddāh/ah [exposer, scandalizer] who exposes and hacks political models and literary tradition only to be hacked and exposed by his/her own hacking and fadh. Engaging the political dimension of hacking and scandal, I examine how literature is recoded, reimagined, and reaffirmed through greed, exhibitionism, and confrontation. This study expands the field of Arabic literary studies by exploring new sites of meaning and signification, connections and associations-between browsing practices and reading; activism and writing-in a rapidly changing technological, literary, and political landscape. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Journal of Arabic Literature is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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