SAGRADO Y OBSCENO: CONCILIACIÓN DE OPUESTOS EN LA FILMOGRAFÍA CHALBAUDEANA.

Item request has been placed! ×
Item request cannot be made. ×
loading   Processing Request
Read Online Read More Add to Saved list
  • Additional Information
    • Alternate Title:
      Sacred and obscene: reconciliation of opposites In the films Chalbaudeana.
    • Subject Terms:
      SAGRADO y obsceno (Film); CHALBAUD, Roman; EVERYDAY life in motion pictures; FILM adaptations; VENEZUELAN films; MOTION pictures
    • Subject Terms:
      VENEZUELA
    • Abstract:
      This paper presents an analysis of the film Sagrado y obsceno (Román Chalbaud, 1976) from a sociosemiotic perspective that allows us to discover the interrelations between the characters and their significance in the social environment of the period of history in which it is set (early 1960s). The methodology used is based in different authors, sociologists as well as semioticians, such as: Blanco, van Dijk, Lucien, Córdova, Sonesson and Villegas, among others. Sagrado y obsceno is visualized as a sort of autobiography, where the experiences of the author's childhood have new significances, discovering characters, interactions and spaces where everything converges in their everyday life, when Chalbaud arrived in Caracas from his native Merida, in the late 1930s. Sagrado y obsceno is an adaptation of a play exhibited in 1961. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Este artículo presenta un análisis de la película Sagrado y obsceno (Román Chalbaud, 1976) desde una perspectiva sociosemiótica, que permite descubrir las interrelaciones entre los personajes y su significado en el ambiente social de la época donde se ambienta la historia (comienzos de la década de los sesenta). La metodología utilizada se basa en diversos autores, tanto sociólogos como semióticos: Blanco, van Dijk, Lucien, Córdova, Sonesson y Villegas, entre otros. Sagrado y obsceno se visualiza como una especie de autobiografía, donde se resignifican las vivencias de la infancia de Chalbaud, develándose actores, interacciones y espacios que convergieron en su cotidianidad cuando llegó a Caracas, proveniente de su nativa Mérida, a finales de la década de los treinta. Sagrado y obsceno es una adaptación de su obra de teatro homónima, estrenada en 1961. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Alpha: Revista de Artes, Letras y Filosofía is the property of Universidad de Los Lagos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)