LA MEMORIA COMO FICCIÓN: UNA ESTÉTICA DE LA HISTORIA EN JUAN JOSÉ SAER Y GERMÁN ESPINOSA.

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    • Alternate Title:
      Memory as Fiction: An Aesthetic of History in Juan José Saer and Germán Espinosa.
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    • Abstract:
      This article offers an approach to the role of history in the narrative projects of Juan José Saer and Germán Espinosa, in the case of the first author, this article poses a critical analysis of the novel The Step Brother, given its particular metafictional nature, as well as some of the texts compiled in his book of essays The Concept of Fiction (1997). With regard to Germán Espinosa, a parallel will be drawn primarily with his essays, without forgetting, of course, the proper reflections upon history and literature that appear in his remarkable body of extensive interviews and memoirs. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Este artículo ofrece una aproximación al papel de la historia en los proyectos narrativos de Juan José Saer y Germán Espinosa. Para el caso del primer autor, se plantea un análisis crítico de la novela El entenado, debido a su particular naturaleza metaficcional, así como de algunos de los textos recogidos en su libro de ensayos El concepto de ficción (1997). En lo que respecta a Germán Espinosa, el paralelo será establecido primordialmente a partir de su ensayística, sin olvidar, desde luego, las oportunas reflexiones que sobre la historia y la literatura aparecen contenidas en un notable acervo de entrevistas y en su extenso libro de memorias. [ABSTRACT FROM AUTHOR]
    • Abstract:
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