Transforming the Orixás.

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    • Abstract:
      The article examines the African-Brazilian religion Candomblé in religious and secular situations in Salvador da Bahia, Brazil. Particular attention is given to the citywide visibility of the representations of this religion's deities, called orixás. The frequency of public art with the themes of this religion are discussed. Article topics include the group of sculptures on the Dique do Tororó by Bahian artist Tatti Moreno, African identity in Salvador da Bahia, and Candomblé altars in sacred spaces.