Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn's Late Masses.

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  • Additional Information
    • Subject Terms:
    • NAICS/Industry Codes:
      711510 Independent Artists, Writers, and Performers
      711130 Musical Groups and Artists
      711513 Independent writers and authors
    • Subject Terms:
    • Abstract:
      The article discusses the late Masses of Joseph Haydn in between the traditional and contemporary versions. By the end of the 18th century, Viennese composers have formulated a hybrid music style known as the concerted mass, which has symphonic musical language and formal guidelines. The list presented lists six late masses of Joseph Haydn including "Missa in tempore belli in C," "Missa (Harmoniemesse) in B flat," and "Missa Sancti Bernardi von Offida in B flat." These masses were meant for the name-day celebrations of Princess Marie Hermenegild.
    • Author Affiliations:
      1Bowling Green State University, Ohio
    • ISSN:
      0036-2255
    • Accession Number:
      47692058
  • Citations
    • ABNT:
      PAPANIKOLAOU, E. Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses. Sacred Music, [s. l.], v. 136, n. 4, p. 6–16, 2009. Disponível em: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058. Acesso em: 8 abr. 2020.
    • AMA:
      Papanikolaou E. Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses. Sacred Music. 2009;136(4):6-16. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058. Accessed April 8, 2020.
    • APA:
      Papanikolaou, E. (2009). Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses. Sacred Music, 136(4), 6–16.
    • Chicago/Turabian: Author-Date:
      Papanikolaou, Eftychia. 2009. “Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses.” Sacred Music 136 (4): 6–16. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058.
    • Harvard:
      Papanikolaou, E. (2009) ‘Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses’, Sacred Music, 136(4), pp. 6–16. Available at: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058 (Accessed: 8 April 2020).
    • Harvard: Australian:
      Papanikolaou, E 2009, ‘Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses’, Sacred Music, vol. 136, no. 4, pp. 6–16, viewed 8 April 2020, .
    • MLA:
      Papanikolaou, Eftychia. “Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses.” Sacred Music, vol. 136, no. 4, Winter 2009, pp. 6–16. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058.
    • Chicago/Turabian: Humanities:
      Papanikolaou, Eftychia. “Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses.” Sacred Music 136, no. 4 (Winter 2009): 6–16. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058.
    • Vancouver/ICMJE:
      Papanikolaou E. Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses. Sacred Music [Internet]. 2009 Winter [cited 2020 Apr 8];136(4):6–16. Available from: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=aph&AN=47692058