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Phone: (843) 766-6635
Main Library
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Folly Beach Library
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John L. Dart Library
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9 a.m. - 5 p.m.
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El virrey Toledo y el control de las voces andinas coloniales.
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- Author(s): Martínez C., JoséLuis1 (AUTHOR)
- Source:
Colonial Latin American Review. Aug2012, Vol. 21 Issue 2, p175-208. 34p.- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
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- Abstract: Soon after conquest, authorities targeted several pre-Hispanic Andean recording and communications systems in an attempt to control indigenous voices. This paper highlights some aspects of co-optation and repression policies implemented during the government of Viceroy Francisco de Toledo in the Viceroyalty of Peru (1569–1581). We hypothesize that these policies conformed to the project of colonial domination when they were applied to systems such as theatrics and over visual systems such as keros (or ceremonial vessels) or over rock art. We identify some of the changes that occurred in the visual texts carved and painted on the surfaces of keros as a result of the implementation of these Toledan policies. They allow us to postulate that the decoration called 'formal style' can be dated as pre-Toledan, while vessels with 'free style' would have developed in part as a result of the control policies applied by the Viceroy Toledo. [ABSTRACT FROM AUTHOR]
- Abstract: Diversos sistemas prehispánicos andinos de registro y comunicación, fueron objeto de los intentos de control por parte de la sociedad colonial que buscaba con ello controlar igualmente las voces indígenas. En este trabajo se muestran algunos aspectos de las políticas de cooptación y represión implementadas durante el gobierno del Virrey Francisco de Toledo en el Virreinato del Perú (1569–1581). Se postula que esas políticas aplicadas sobre sistemas como las teatralidades o sobre sistemas visuales como los de los vasos ceremoniales (keros) y sobre el arte rupestre, formaron parte igualmente del proyecto de dominación colonial. Se identifican algunos de los cambios ocurridos en los textos visuales grabados y pintados en las superficies de los keros como consecuencia de la implementación de esas políticas toledanas. Ellos permiten postular que la denominada decoración de ‘estilo formal’ puede ser datada como pre-toledana, en tanto que los vasos con ‘estilo libre’ se habrían elaborado en parte como consecuencia de las políticas de control que aplicó el virrey Toledo. [ABSTRACT FROM PUBLISHER]
- Abstract: Copyright of Colonial Latin American Review is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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