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"Kairos" and Comics: Reading Human Rights Intercontextually in Joe Sacco's Graphic Narratives.
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- Author(s): Brister, Rose1 (AUTHOR); Walzer, Belinda2 (AUTHOR)
- Source:
College Literature. Summer2013, Vol. 40 Issue 3, p138-155. 18p. 4 Cartoon or Caricatures.- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: Although the graphic narrative genre is increasingly being utilized to represent human rights atrocities in complex ways, scholarship on this topic tends to focus on the analysis of issues of historical representation. Therefore, this essay contributes to this conversation a nuanced understanding of contextual reading practices in human rights discourse by analyzing Joe Sacco's "Palestine" (2001) and "Footnotes in Gaza" (2009) through the rhetorical concept of kairos and current theories of comics narratology. If "kairos" draws attention to the layered historical contexts operating within Sacco's graphic narratives as they stake claims for human rights in Palestine and comics studies scholarship focuses on the spatio-temporal dynamics of the graphic narrative form, then together these critical approaches can disrupt the linear notions of time and bounded spaces involved in the denial of Palestinians' rights to property, land, and return. Such an approach draws attention to the urgency of Sacco's human rights project even while he questions its efficacy. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of College Literature is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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