Tour de Farce.

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    • Abstract:
      Offers a look at the appeal of the documentary film "Fahrenheit 9/11," directed by Michael Moore, in France. Claim that France is a haven for persecuted artists; Report that Moore has enabled the French to love and hate the United States at the same time; Discussion of the anti-American attitude that is coupled with a love for the United States; Criticism of various elements of the film.