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Pernicious Plants: Imitation and Uncanny Ecocritical Thought in Gustav Meyrink's 'Die Pflanzen des Dr. Cinderella'.
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- Author(s): Etzler, Melissa
- Source:
German Quarterly; Fall2017, Vol. 90 Issue 4, p459-475, 17p- Subject Terms:
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- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: This article examines Gustav Meyrink's 'Die Pflanzen des Dr. Cinderella' (1905), a fantastical tale about plant-animal-human hybrids born of experimental human intervention. I argue that this short story translates scientific hypotheses from the nineteenth century-Charles Darwin's botanical and zoological writings, for example-into the genre of the grotesque. Given the historical and geographic contexts in which Meyrink was writing, it is safe to say that his literature responds to an environmentally charged fear ubiquitous among industrialized or technologically advanced societies. 'Die Pflanzen des Dr. Cinderella' demonstrates that Meyrink was concerned with the potential sentient nature of all living things and also with the agency of objects that many would consider dead matter. Thus, I will take an anachronistic leap to consider how this text can be brought into dialogue with twenty-first-century theories on political ecology and posthuman perspectives. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of German Quarterly is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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