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América y los orígenes de la poesía. Apuntes hacia una teoría de la lírica latino americana. (Spanish)
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- Author(s): Barreto, David
- Source:
Literatura: Teoría, Historia, Crítica; Jul-Dec2020, Vol. 22 Issue 2, p319-358, 40p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: America and the Origins of Poetry. Notes towards a Theory of Latin American Lyric. (English)
América e as origens da poesia. Notas para uma teoria da lírica latino-americana. (Portuguese) - Subject Terms:
- Abstract: This essay explores the notions of lyric, modernity, and America. I argue that the idea of America is inextricable tied to the emergence of modern lyric poetry. I question the understanding that the value of Latin American poetry is confined to the historiographic Hegelian spirit of "universal" history that marks the beginning of poetry in Latin America in the late 19th century, only after it first emerged in Europe and then in the United States. I analyze the image of America and the development of lyric poetry since the end of the so-called Middle Ages in relation to the heterogeneous constitution of modernity and modern subjectivity. I suggest that the Cartesian dualism would be completely meaningless without the parallel conceptualization and conquest of America. Finally, this essay proposes that the alleged poetic delay in Latin America must be abandoned in favor of a poetic approach that is written and verified without the teleological constraints of History. [ABSTRACT FROM AUTHOR]
- Abstract: Este ensayo explora las nociones de lírica, modernidad y América. Argumenta que la idea de América es inextricable a la emergencia de la poesía lírica moderna. Cuestiona el entendimiento según el cual el valor de la poesía latino americana se circunscribe al espíritu de la historia "universal", que marca el inicio de la poesía en América latina solo a finales del siglo 19, después de su nacimiento en Europa y Estados Unidos. Analiza la imagen de América y el desarrollo de la poesía lírica en relación con la constitución heterogénea de la modernidad y de la subjetividad moderna. Sugiere que los dualismos cartesianos carecen de sentido sin la paralela conceptualización y conquista de América. En última instancia, lo que el ensayo propone es que la "tardanza" poética de América latina debe ser abandonada en beneficio de una apuesta poética que se inscriba y verifique sin las constricciones teleológicas de la Historia. [ABSTRACT FROM AUTHOR]
- Abstract: O ensaio explora as noções de lírica, modernidade e América. Discute que a idéia da América é inextricável para o surgimento da poesia lírica moderna. Questiona o entendimento de que o valor da poesia americana latina se limita ao espírito da história "universal" que marca o início da poesia na América Latina apenas no final do século 19, depois de surgir em Europa e nos Estados Unidos. Analisa a imagem da América e o desenvolvimento da poesia lírica em relação à constituição heterogênea da modernidade e da subjetividade moderna. Sugiro que os dualismos seriam completamente sem sentido sem a conceitualização e conquista paralelas da América. Em última instância, o que o ensaio propõe é que o referido atraso poético na América Latina deve ser abandonado em favor de uma aposta poética que é escrita e verificada sem as restrições teleológicas da História. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Literatura: Teoría, Historia, Crítica is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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