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Innocent X Pamphilj's Architectural Network in Rome.
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- Author(s): Leone, Stephanie C.; Vierthaler, Paul A.
- Source:
Renaissance Quarterly; Fall2020, Vol. 73 Issue 3, p897-952, 56p, 11 Color Photographs, 2 Black and White Photographs, 1 Diagram, 2 Charts, 1 Graph, 1 Map- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: This study employs network analysis and microhistory to challenge the standard narrative about architecture and patronage in Baroque Rome, that of celebrity patron-artist relationships. It investigates the artists and artisans below this elite team and the plurality of relationships that developed among them. The subject is Innocent X Pamphilj's monumental works of art and architecture, at the Vatican, Piazza Navona, Campidoglio, Lateran, and Janiculum Hill, commissioned for the 1650 Holy Year. It argues that competent artisans and their relationships influenced the operation of building sites and presents Innocent X as the patron of an industrious architectural enterprise. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Renaissance Quarterly is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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