The Mobile Camera.

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    • Abstract:
      Focuses on the clarification of the essential problem of the sound motion pictures. Assessment of the proper relation between the camera and the microphone; Restoration of fluidity in films; Connection between the music and the movies; Justification of the motion picture directors' prejudice against the talkies; Restoration of the Russo-German camera angles; Theme of the movie; Observation of the cinematography; Strategy of the directors to break the monotony in movies.