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Capoeira angola em corpos estrangeiros: reestruturação de conhecimentos e de relações através da performance ritual. (Portuguese)
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- Author(s): Tamplenizza, Cecilia
- Source:
Intersecoes: Revista de Estudios Interdisciplinares; set-dez2021, Vol. 23 Issue 3, p686-704, 19p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: Capoeira Angola in foreign bodies: restructuring of knowledge and relationships through ritual performance. (English)
- Subject Terms:
- Abstract: For my doctoral thesis, I conducted an interpretive and reflective ethnographic study, based on my experience of learning capoeira angola in the Grupo de Capoeira Angola Pelourinho - Gcap, located in Salvador Bahia, and on the relationships I had with the group. In this research, I suggested that capoeira angola, as I practice in this group, is a complex environment of communication and ritual creation. Her performance is based on an open repertoire of poetry sung and drawn with the body. A game of body, music and relationships between the capoeiristas. A poetics in resistance that spreads practices based on an Afro-descendant tradition or ancestry, with a strong political connotation in Brazil. Based on these premises, in this article, I propose a reflection on how some of us, Italians, are reinterpreting capoeira in an external context to the processes of struggle and resistance of African descendants in Brazil. For this, in addition to my autoethnographic field research, I use interviews and discussions with other Italian capoeiristas, from different cities, from the north to the south of Italy, who practice capoeira for over 15 years and who participate in groups of Capoeira Angola linked to mestre Pastinha's lineage. Arriving in Italy by independent paths, capoeira angola became a liberation practice. A way of transmitting alternative means of relating, creating, organizing. [ABSTRACT FROM AUTHOR]
- Abstract: Para a tese de doutorado realizei um estudo etnográfico interpretativo e reflexivo, baseado em minha experiência de aprendizado da capoeira angola no Grupo de Capoeira Angola Pelourinho - Gcap, situado em Salvador Bahia, e nas relações que teci com o grupo. Nessa pesquisa, sugeri que a capoeira angola, para esse grupo, é um complexo ambiente de comunicação e criação ritual. Sua performance é fundamentada em um repertório aberto de poesias cantadas e desenhadas com o corpo. Um jogo corporal, musical e de relações entre os capoeiristas do grupo. Uma poética em resistência que difunde práticas baseadas em uma tradição ou ancestralidade afro-descendente, com uma forte conotação política no Brasil. A partir dessas premissas, nesse artigo, proponho uma reflexão sobre como alguns de nós italianos estamos reinterpretando a capoeira em um contexto externo aos processos de luta e resistência dos descendentes dos africanos no Brasil. Para isso, além de minha pesquisa de campo autoetnográfica, me valho-me de entrevistas e discussões travadas com outros capoeiristas italianos, provenientes de diversas cidades, do norte ao sul da Itália, que praticam capoeira há mais de 15 anos e que participam de grupos de capoeira angola ligados à linhagem de mestre Pastinha. Chegando na Itália por caminhos independentes, a capoeira angola se tornou uma prática que diz promover a libertação. Uma forma de transmissão de meios alternativos de se relacionar, criar, se organizar. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Intersecoes: Revista de Estudios Interdisciplinares is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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