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Main Library
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Folly Beach Library
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John L. Dart Library
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Wando Mount Pleasant Library
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The Great White Way and the Way of All Flesh: Metropolitan Film Culture and the Business of Film Exhibition in Times Square, 1929-1941.
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- Author(s): BRENNAN, NATHANIEL
- Source:
Film History. Jun2015, Vol. 27 Issue 2, p1-32. 32p. 3 Black and White Photographs, 1 Illustration, 1 Diagram. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: This article explores the history of the Rialto Theater in Times Square from the onset of the Depression to the American entry into World War II. Drawing on recent discussions of the local turn in film history, it argues for a more sustained engagement with thesociocultural contexts specific to the history of metropolitan film exhibition and reception. By taking the Rialto of the 1930s as a case study, the essay demonstrates both the challenges and potential for the adaptation of the methods of local film history to the metropolitan scene. It situates the Rialto within the local economy of the Times Square entertainment district as well as within a number of the concerns central to the city's economic recovery, including the politics and negotiation of public space, the policing of amusement and pleasure, and the integration of commerce and infrastructure. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Film History is the property of Indiana University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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