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Disturbing the Peace: The Ghost in beDevil and The Darkside .
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- Author(s): Collins, Felicity
- Source:
Critical Arts: A South-North Journal of Cultural & Media Studies. Oct2017, Vol. 31 Issue 5, p107-114. 8p. - Source:
- Additional Information
- Subject Terms:
- Abstract: Comparing transitional and agonistic theories of reconciliation, this essay takes a second look at the figure of the ghost in two films that bookend both the reconciliation movement in Australia and the Blak Wave of film and television production. It argues that telling ghost stories in
beDevil (directed by Tracey Moffatt, 1993) andThe Darkside (directed by Warwick Thornton, 2013) convenes a space for the unreconciled to disturb the peace in a settlercolonial context where the nation-state is the most recent but not the only polity. [ABSTRACT FROM AUTHOR] - Abstract: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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