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HANDEL MANUSCRIPTS AND THE PROFITS OF SLAVERY: THE “GRANVILLE” COLLECTION AT THE BRITISH LIBRARY AND THE FIRST PERFORMING SCORE OF MESSIAH RECONSIDERED.
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- Author(s): Hunter, David
- Source:
Notes. Sep2019, Vol. 76 Issue 1, p27-37. 11p. - Source:
- Additional Information
- Subject Terms:
- Abstract: The artifacts of slavery are not only the manacles, branding irons, and whips, or the slaves’ own possessions, but also the musical scores and instruments funded by slavery’s profits. Like other wealthy families, those that engaged directly in the slave economy sought to enjoy the best cultural offerings of the day, which included hiring musicians to entertain and to teach, and purchasing manuscripts and printed scores of favorite works. This article offers two examples of Handel-related manuscripts that were purchased in part thanks to profits derived from the slave economy: the “Granville” Collection at the British Library, and the first performing score of Messiah now held by the Bodleian Library, Oxford. No cordon sanitaire protected music collecting from slavery’s stain. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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