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West Ashley Library
9 a.m. – 7 p.m.
Phone: (843) 766-6635
Main Library
9 a.m. - 8 p.m.
Phone: (843) 805-6930
Folly Beach Library
Closed for renovations
Phone: (843) 588-2001
John L. Dart Library
9 a.m. – 7 p.m.
Phone: (843) 722-7550
St. Paul's/Hollywood Library
9 a.m. - 8 p.m.
Phone: (843) 889-3300
Mt. Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 849-6161
Dorchester Road Library
9 a.m. - 8 p.m.
Phone: (843) 552-6466
Edgar Allan Poe/Sullivan's Island Library
9 a.m. - 6 p.m.
Phone: (843) 883-3914
John's Island Library
9 a.m. – 8 p.m.
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McClellanville Library
Closed for renovations
Phone: (843) 887-3699
Edisto Library
9 a.m. - 6 p.m.
Phone: (843) 869-2355
Wando Mount Pleasant Library
9 a.m. - 8 p.m.
Phone: (843) 805-6888
Otranto Road Library
9 a.m. - 8 p.m.
Phone: (843) 572-4094
Hurd/St. Andrews Library
9 a.m. - 8 p.m.
Phone: (843) 766-2546
Baxter-Patrick James Island
9 p.m. - 8 p.m.
Phone: (843) 795-6679
Bees Ferry West Ashley Library
9 a.m. - 8 p.m.
Phone: (843) 805-6892
Village Library
9 a.m. - 6 p.m.
Phone: (843) 884-9741
Keith Summey North Charleston Library
9 a.m. – 8 p.m.
Phone: (843) 744-2489
Mobile Library
9 a.m. - 5 p.m.
Phone: (843) 805-6909
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Reality, Identity and Empathy: The Changing Face of Social History Television.
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- Author(s): Hunt, Tristram
- Source:
Journal of Social History. Spring2006, Vol. 39 Issue 3, p843-858. 16p. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: In recent years, social history has benefited from the increased media interest in history and heritage. Yet social history on television today bears very little resemblance to the discipline traditionally understood. As such, social history within the public sphere has undergone a similar transformation to that within the academy. Whereas once filmmakers concentrated upon structure and process, now they are more interested in questions of identity and empathy. The end result of this trend is the wave of "reality history" (such as "Frontier House") programmes drawing huge audiences across the Anglo-American networks. At the same time, the proliferation of media together with growing popular interest in local and genealogical history has produced an impressive range of bottom-up films of the past—most notably, in the format of drama documentaries. However, what today's social history on television lacks—together with its progenitor within the academy—is any kind of political undercurrent. The ideological underpinnings of social history have been lost in one of the media best designed for its propagation. [ABSTRACT FROM AUTHOR]
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