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Main Library
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Folly Beach Library
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The Face of Imposture in Postrevolutionary France.
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- Author(s): Johnson, James H.
- Source:
French Historical Studies. Spring2012, Vol. 35 Issue 2, p291-320. 30p. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: This article considers deceit and criminal disguise in the context of social upheaval that recast the terms of identity from inherited status to merit. The appearance of high- profile impostors after the Revolution produced both fear and fascination, which writers and artists were quick to exploit for a ready market. It also prepared the ground for broad distrust of professional success and social advancement later in the century. Instances of deceit from across the culture mark the shifting sense of imposture in law and the popular imagination: the arrest and trial of an escaped convict who rose in the officers' corps by posing as a noble émigré; the corrosive appeal of the stage bandit Robert Macaire, in whom audiences found a symbol for swindlers in finance, law, and medicine; and the many masks, physical and figurative, that appear in Balzac's Splendeurs et misères des courtisanes. [ABSTRACT FROM AUTHOR]
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