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QUEVEDO Y ALBERTI FRENTE AL LIENZO: LA SILVA "EL PINCEL" Y DOS SONETOS DE A LA PINTURA (1945).
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- Author(s): Mercado, Leticia1
- Source:
Hispanic Review. Summer2016, Vol. 84 Issue 3, p253-271. 19p. - Source:
- Additional Information
- Alternate Title: Quevedo and Alberti In Front of the Canvas: La Silva "El Pincel" and Two Sonnets of "A La Pintura" (1945).
- Subject Terms:
- Abstract: This article presents a poetry criticism for the sonnets "Al pincel" and "A la pintura" by Rafael Alberti. The author comments on the influence of Spanish poet Francisco de Quevedo on Alberti's works. The poetic language used to describe the art and culture is also examined.
- Abstract: En los sonetos "Al pincel" y "A la pintura", recogidos en su poemario homónimo de 1945, Rafael Alberti parte de la idea barroca del arte pictórico expresada ejemplarmente en la silva "El pincel" de Francisco de Quevedo (c. 1625) y reelabora sobre sus conceptos centrales: por un lado, el carácter heroico de la pintura y, por otro, la idea de su ilimitada capacidad de representación. Alberti pone este material al servicio de su poética del arte pictórico, en la que las constantes del tiempo y de la muerte quedan fuera del texto. El resultado es una nueva poesía que identifica la pintura con creación que supera la mimesis clásica, dejando campo libre a la imaginación del artista, así como con vida, mediante la utilización de un lenguaje poético altamente plástico que, en sí mismo, constituye un rechazo al estancamiento percibido por el poeta en el ambiente cultural de la España de posguerra. [ABSTRACT FROM AUTHOR]
- Alternate Title:
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