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West Ashley Library
9 a.m. - 4 p.m.
Phone: (843) 766-6635
Main Library
9 a.m. - 6 p.m.
Phone: (843) 805-6930
Folly Beach Library
Closed for renovations
Phone: (843) 588-2001
John L. Dart Library
9 a.m. - 6 p.m.
Phone: (843) 722-7550
St. Paul's/Hollywood Library
9 a.m. - 5 p.m.
Phone: (843) 889-3300
Mt. Pleasant Library
9 a.m. – 6 p.m.
Phone: (843) 849-6161
Dorchester Road Library
9 a.m. - 6 p.m.
Phone: (843) 552-6466
Edgar Allan Poe/Sullivan's Island Library
9 a.m. - 6 p.m.
Phone: (843) 883-3914
John's Island Library
9 a.m. - 6 p.m.
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McClellanville Library
Closed for renovations
Phone: (843) 887-3699
Edisto Library
9 a.m. - 3 p.m.
Phone: (843) 869-2355
Wando Mount Pleasant Library
9 a.m. - 6 p.m.
Phone: (843) 805-6888
Otranto Road Library
9 a.m. - 6 p.m.
Phone: (843) 572-4094
Hurd/St. Andrews Library
9 a.m. - 6 p.m.
Phone: (843) 766-2546
Baxter-Patrick James Island
9 a.m. - 6 p.m.
Phone: (843) 795-6679
Bees Ferry West Ashley Library
9 a.m. - 6 p.m.
Phone: (843) 805-6892
Village Library
9 a.m. - 6 p.m.
Phone: (843) 884-9741
Keith Summey North Charleston Library
9 a.m. – 6 p.m.
Phone: (843) 744-2489
Mobile Library
9 a.m. - 5 p.m.
Phone: (843) 805-6909
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The Language of Bodies: Violence and the Refusal of Judgment in Chimamanda Ngozi Adichie's Purple Hibiscus and Half of a Yellow Sun.
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- Author(s): Hillman, Susanne1
- Source:
Research in African Literatures. Spring2019, Vol. 50 Issue 1, p95-110. 16p. - Source:
- Additional Information
- Subject Terms:
- Abstract: Destructive and destroyed bodies occupy a prominent position in Chimamanda Ngozi Adichie's novels Purple Hibiscus and Half of a Yellow Sun. In this essay, I examine the author's representation of violent acts like murder and rape and the ethical implications of her rejection of narrative closure. I argue that the author's refusal to pass judgment on her characters constitutes a deliberate rhetorical move intended to create unease in her readers. My dual focus on bodies that are being violated or destroyed and those that carry out the violation and destruction allows me to transcend the perpetrator/victim dichotomy that continues to be an essential feature of postcolonial studies as well as trauma literature. As I will try to show, Adichie's avoidance of judgment illustrates the ethical imperative behind her literary vision. [ABSTRACT FROM AUTHOR]
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