Menu
×
Main Library
9 a.m. - 8 p.m.
Phone: (843) 805-6930
West Ashley Library
9 a.m. - 7 p.m.
Phone: (843) 766-6635
Folly Beach Library
Closed for renovations
Phone: (843) 588-2001
John L. Dart Library
9 a.m. - 7 p.m.
Phone: (843) 722-7550
St. Paul's/Hollywood Library
9 a.m. - 8 p.m.
Phone: (843) 889-3300
Mt. Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 849-6161
Dorchester Road Library
9 a.m. - 8 p.m.
Phone: (843) 552-6466
Edgar Allan Poe/Sullivan's Island Library
9 a.m. - 1 p.m.
Phone: (843) 883-3914
John's Island Library
9 a.m. - 8 p.m.
Phone: (843) 559-1945
McClellanville Library
Closed for renovations
Phone: (843) 887-3699
Edisto Library
2 p.m. - 6 p.m.
Phone: (843) 869-2355
Wando Mount Pleasant Library
9 a.m. - 8 p.m.
Phone: (843) 805-6888
Otranto Road Library
9 a.m. - 8 p.m.
Phone: (843) 572-4094
Hurd/St. Andrews Library
Closed (Toddler Storytime)
Phone: (843) 766-2546
Baxter-Patrick James Island
9 a.m. - 8 p.m.
Phone: (843) 795-6679
Bees Ferry West Ashley Library
9 a.m. - 8 p.m.
Phone: (843) 805-6892
Village Library
9 a.m. - 1 p.m.
Phone: (843) 884-9741
Keith Summey North Charleston Library
9 a.m. – 8 p.m.
Phone: (843) 744-2489
Mobile Library
9 a.m. - 5 p.m.
Phone: (843) 805-6909
Today's Hours
Main Library
9 a.m. - 8 p.m.
Phone: (843) 805-6930
West Ashley Library
9 a.m. - 7 p.m.
Phone: (843) 766-6635
Folly Beach Library
Closed for renovations
Phone: (843) 588-2001
John L. Dart Library
9 a.m. - 7 p.m.
Phone: (843) 722-7550
St. Paul's/Hollywood Library
9 a.m. - 8 p.m.
Phone: (843) 889-3300
Mt. Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 849-6161
Dorchester Road Library
9 a.m. - 8 p.m.
Phone: (843) 552-6466
Edgar Allan Poe/Sullivan's Island Library
9 a.m. - 1 p.m.
Phone: (843) 883-3914
John's Island Library
9 a.m. - 8 p.m.
Phone: (843) 559-1945
McClellanville Library
Closed for renovations
Phone: (843) 887-3699
Edisto Library
2 p.m. - 6 p.m.
Phone: (843) 869-2355
Wando Mount Pleasant Library
9 a.m. - 8 p.m.
Phone: (843) 805-6888
Otranto Road Library
9 a.m. - 8 p.m.
Phone: (843) 572-4094
Hurd/St. Andrews Library
Closed (Toddler Storytime)
Phone: (843) 766-2546
Baxter-Patrick James Island
9 a.m. - 8 p.m.
Phone: (843) 795-6679
Bees Ferry West Ashley Library
9 a.m. - 8 p.m.
Phone: (843) 805-6892
Village Library
9 a.m. - 1 p.m.
Phone: (843) 884-9741
Keith Summey North Charleston Library
9 a.m. – 8 p.m.
Phone: (843) 744-2489
Mobile Library
9 a.m. - 5 p.m.
Phone: (843) 805-6909
Patron Login
menu
Item request has been placed!
×
Item request cannot be made.
×
Processing Request
THE EAGLE AND THE SERPENT ON THE SCREEN.
Item request has been placed!
×
Item request cannot be made.
×
Processing Request
- Author(s): Chavez, Daniel
- Source:
Latin American Research Review. 2010, Vol. 45 Issue 3, p115-141. 27p. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: Recent studies of the history of Mexican cinema continue to speak of the complex relations between the state and the film industry, and the most frequently analyzed aspects tend to be the same: the reach and forms of censorship, as well as the financial dependence on the state. To broaden this perspective, I propose a classification of cinematic discourses that represent the relations between film characters and state powers. I discuss four basic modes of representation that, determined by historical and economic circumstances, reflect and mediate the attitudes and dispositions of viewers toward the political regime. For each mode, I discuss a sequence in a paradigmatic film, analyzing visual and ideological aspects in relation to the political moment at the time of the film's release. Finally, I argue that, despite the resurgence of the Mexican cinema and a more critical tone in its approach to state institutions, fictional films still rest on indirect and allegorical representations of recent events. This is due to the uncertainty of the prolonged and still-incomplete transition to institutional democracy in Mexico. [ABSTRACT FROM AUTHOR]
- Abstract: Estudios recientes sobre la historia del cine mexicano continúan informando sobre las complejas relaciones entre el estado y la industria fílmica, pero los aspectos más frecuentemente analizados tienden a ser los mismos: el alcance y formas de la censura, y la dependencia financiera del estado. Para ampliar esta perspectiva se propone una clasificación de los discursos cinemáticos que representan la relación entre los personajes de películas y los poderes estatales. Se discuten cuatro modos básicos de representación que determinados por las circunstancias económicas e históricas reflejan y median en las actitudes y disposición de los espectadores hacia el régimen político. Para cada modo se estudia una secuencia de una cinta paradigmática y se analizan los aspectos visuales e ideológicos en relación con la coyuntura política al momento del estreno de la cinta. Finalmente, se argumenta que a pesar del resurgimiento del cine mexicano y de un tono más crítico en su acercamiento a las instituciones del estado, el cine de ficción todavía descansa en representaciones indirectas y alegóricas de eventos recientes. Esto debido a la incertídumbre en la prolongada y aún incompleta transición a la institucionalidad democrática en la política de México. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Latin American Research Review is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Contact CCPL
Copyright 2022 Charleston County Public Library Powered By EBSCO Stacks 3.3.0 [350.3] | Staff Login
No Comments.