PER LO STUDIO DELLA PITTURA TARDOGOTICA E PRIMO-RINASCIMENTALE IN SARDEGNA E NELLA PENISOLA IBERICA. (Italian).

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    • Abstract:
      This essay intends to reconstruct the forms of interaction within Sardinian and Iberian painting workshops in the period between the last phase of Gothic and the early beginnings of the Renaissance language. In particular, it deals with the mobility of artists, the circulation of works and their stylistic contaminations. The role of arts is regarded as a means of communication and of social emancipation as well as from the point of view of professional regulations. [ABSTRACT FROM AUTHOR]
    • Abstract:
      L'articolo ricostruisce le modalità di interazione interne alle botteghe pittoriche, in Sardegna come nella penisola iberica, fra l'ultima stagione del Gotico e i primi tempi di diffusione del linguaggio rinascimentale. Si sofferma, in particolare, sul dinamismo degli artisti, i movimenti commerciali delle opere e la conseguente contaminazione stilistica. Si puntualizza sul ruolo affidato all'arte, quale strumento di comunicazione e di emancipazione sociale, inquadrato anche sul versante 'normativo' e della regolamentazione di mestiere. [ABSTRACT FROM AUTHOR]
    • Abstract:
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