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Reconfiguring the “Genuinely” Religious Film: The Oral Contours of the Overabundant Epic.
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- Author(s): Nayar, Sheila J.
- Source:
Journal of the American Academy of Religion. Mar2010, Vol. 78 Issue 1, p100-128. 29p. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: This paper argues that manifestations of the sacred in Hollywood biblical spectaculars, as well as in films from Bollywood (the Hollywood of Bombay), have been significantly contoured by a reticulate set of oral norms. That is, the films' depictions of hierophany are tied to a way of knowing that maintains roots in orality (as distinct from a way of knowing historically permitted and/or induced by a cultural investment in the written word). Such orally inflected norms as epical and exoteric abundance, melodrama, frontality, and a telescoping of the real into the mythic compel us to re-think the common critical assumption that religious spectaculars are not authentically manifesting the sacred or that they can only be operating as escapist metaphors. [ABSTRACT FROM PUBLISHER]
- Abstract: Copyright of Journal of the American Academy of Religion is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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