Starting from Places: Continuous Narration and Discontinuous Perspectives in Roman Art.

Item request has been placed! ×
Item request cannot be made. ×
loading   Processing Request
  • Additional Information
    • Subject Terms:
    • Abstract:
      The phenomenon of continuous narration—the representation of multiple narrative moments in a single visual field—in Roman painting of the first centuries BCE and CE attests to the ways time and space could be creatively connected in ancient art. This pictorial device animates painting in its interplay with the viewer, at once multiplying points of view and mediating between internal and external images. It thus models Roman attitudes toward not only the representation of the world but also the interpretation of pictures. In so doing, it demonstrates a significant form of material agency. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Art Bulletin is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)