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Find a fresh voice: techniques to shake you out of a comfortable rut. (Poet To Poet)

• Authors : Verigin, Lisa

• Source: The Writer. April, 2002, Vol. 115 Issue 4, p21, 4 p.

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The fine art of assembly: a noted author on film stars explains how a biography fits the pieces together

• Authors : McGilligan, Patrick

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p29, 6 p.

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Wanted: corporate storytellers: business, education scripts can be a rewarding field. (Market Focus)

• Authors : Holmsten, Brian

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p49, 6 p.

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Begin your screenplay with an outline: you can write a better script if you start with a solid foundation

• Authors : Strauss, Alix

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p41, 4 p.

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Distractions & interruptions: phone calls, progeny and pets give writers pause. (Writers' Exchange)

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p34, 7 p.

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Mistakes to avoid in writing mysteries

• Authors : Hyde, Eleanor

• Source: The Writer. Nov, 1998, Vol. 111 Issue 11, p12, 4 p.

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Poets speak in many voices

• Authors : Keithley, George

• Source: The Writer. Nov, 1998, Vol. 111 Issue 11, p19, 4 p.

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Fitting real people into your historical fiction

• Authors : Jakes, John

• Source: The Writer. Nov, 1998, Vol. 111 Issue 11, p9, 4 p.

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The maker's eye

• Authors : Murray, Donald M.

• Source: The Writer. Oct, 1998, Vol. 111 Issue 10, p20, 4 p.

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Writing matters

• Authors : Alvarez, Julia

• Source: The Writer. Sept, 1998, Vol. 111 Issue 9, p7, 5 p.

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