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Education Full Text (H.W. Wilson)

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ОСОБЕННОСТИ НАЦИОНАЛЬНОЙ ВЫШИВКИ РАЗЛИЧНЫХ РЕГИОНОВ ИРАНА В ДИЗАЙНЕ ОДЕЖДЫ

• Authors : ФАХИМЕ, ДЖАЛИЛИАН; НИКОЛАЕВА, Т. В.

• Source: Bulletin of KNUTD; 2014, Vol. 79 Issue 5, p239-244, 6p

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STUDENTS' MOTIVES FOR CHOOSING THE PROGRAM CLOTHING DESIGN AND CAREER PERSPECTIVES.

Subjects: DEVELOPMENTAL psychology & motivation; QUALITATIVE research; FASHION designSIAULIAI (Lithuania); LITHUANIA

• Source: Proceedings of the 4th International Scientific Conference 'Rural Environment. Education. Personality.'; Jan2009, Vol. 4, p159-172, 14p, 4 Charts, 2 Graphs

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ПРИНЦИПЫ ТРАНСФОРМАЦИИ НАЦИОНАЛЬНЫХ МОТИВОВ В СТИЛИСТИКЕ СОВРЕМЕННОГО ДИЗАЙНА ОДЕЖДЫ

• Authors : ДЖАЛИЛИАН, Ф.

• Source: Bulletin of KNUTD; 2015, Issue 90, p239-247, 9p

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Analysis of the key influence factors on brand of higher education organizations. Feature of the fashion industry.

• Authors : Hardabkhadze, I. A.

Subjects: HIGHER education; PRODUCT management; FASHION

• Source: Marketing & Management of Innovations / Marketing ì Menedžment Ìnnovacìj; 2013, Issue 1, p53-66, 14p

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ТВОРЧЕСКАЯ ИНТЕРПРЕТАЦИЯ ЭЛЕМЕНТОВ ДЕКОРА ТРАДИЦИОННОГО КОСТЮМА НАРОДОВ ЦЕНТРАЛЬНОЙ АЗИИ В КОЛЛЕКЦИЯХ СОВРЕМЕННЫХ ДИЗАЙНЕРОВ ОДЕЖДЫ.

• Authors : Володева, Н.; Агибаева, А.

• Source: Central Asian Journal of Art Studies; 2018, Vol. 1 Issue 4, p69-84, 16p

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German craftsmen open women's training centre in eastern Uzbekistan

• Source: BBC Monitoring International Reports, September 18, 2002 Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan, Turkmenistan and Afghanistan, 1pp

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German craftsmen open women's training centre in eastern Uzbekistan

• Source: Uzbek National News Agency (Tashkent, Uzbekistan), September 18, 2002 Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan, Turkmenistan and Afghanistan, 1pp

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Misappropriation of Indigenous Cultural Heritage - Intellectual Property Rights in the Digital Era.

• Authors : Prażmowska, Karolina

• Source: Santander Art & Culture Law Review; 2020, Issue 2, p119-150, 32p

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Световые скульптуры Вильяма Бранда.

• Authors : Шерман, Анна

• Source: Antikvar; 2018, Vol. 107 Issue 3/4, p68-73, 6p

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