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History vs. modernity in German opera season

• Authors : Kimmelman, Michael

• Source: The New York Times. July 30, 2008, Vol. 157 Issue 54387, pE1.

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Elaine C Smith: 'Did feminism just mean the right for women to get as drunk as men?'.

• Authors : Didcock, Barry

• Source: The Herald (Glasgow, Scotland). 2020.

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In exile with Shakespeare: British civilian internee theatre at Ruhleben Camp, 1914-1918

• Authors : Hoenselaars, Ton

• Source: Shakespeare in Southern Africa. Annual, 2011, Vol. 23, p1, 10 p.

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THE ART OF "THAETER".

• Authors : Young, Paul David

Subjects: DRAMA festivals; THEATERGERMANY

• Source: PAJ: A Journal of Performance & Art; May2014, Vol. 36 Issue 2, p125-131, 7p

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Playwrights Playing with History: The Play within the Play and German Historical Drama (Büchner, Brecht, Weiss, Müller).

• Authors : Fischer, Gerhard

Subjects: DRAMA; THEATER; AUTHORSGERMANY

• Source: Play within the Play: The Performance of Meta-Theatre & Self-Reflection; 2007, p249-265, 17p

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Postmodernism Unmasked: Rainald Goetz's Festung and Albert Ostermaier's The Making of B-Movie.

• Authors : Haas, Birgit

Subjects: PASTICCIO; DRAMA; THEATERGERMANY

• Source: Play within the Play: The Performance of Meta-Theatre & Self-Reflection; 2007, p267-281, 15p

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The German Archive of the Hebrew Habima: Bureaucracy and Identity.

• Authors : Zer-Zion, Shelly; Kühne, Jan

Subjects: THEATER archives; THEATERS; BUREAUCRACYGERMANY; ISRAELKLAUSNER, Margot; GRONEMANN, Sammy

• Source: Naharaim -- Journal of German -- Jewish Literature & Cultural History / Zeitschrift für Deutsch -- jüdische Literatur und Kulturgeschichte; 2013, Vol. 7 Issue 1/2, p239-259, 21p

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What There Will Be Instead of An Audience.

Subjects: THEATERS; PERFORMING arts audiences; THEATERBERLIN (Germany); GERMANY

• Source: Performance Research; Sep2011, Vol. 16 Issue 3, p19-34, 16p, 1 Black and White Photograph

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From Deconstruction to Reconstruction: A Habermasian Framework for Contemporary Political Theatre.

• Authors : Botham, Paola

Subjects: THEATER; POLITICAL science; FRANKFURT school of sociologyFRANKFURT am Main (Germany); ENGLAND; GERMANYHABERMAS, Jurgen, 1929-

• Source: Contemporary Theatre Review; 2008, Vol. 18 Issue 3, p307-317, 11p

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Consuming the Canon: Theatre, Commodification and Social Mobility in Late Nineteenth-Century German Theatre.

• Authors : Marx, Peter W.

Subjects: THEATRICAL producers & directors; COMMODIFICATION; 19TH century German dramaGERMANYREINHARDT, Max, 1873-1943

• Source: Theatre Research International; Jul2006, Vol. 31 Issue 2, p129-144, 16p, 1 Black and White Photograph

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