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The Director Who Named Names.

• Authors : SMITH, WENDY

Subjects: KAZAN, Elia, 1909-2003; DIRECTORS & directing; MOTION picturesUNITED States

• Source: American Scholar. Winter2015, Vol. 84 Issue 1, p90-94. 5p.

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Feast Your Eyes on This.

• Authors : GILBERT, SANDRA M.

Subjects: FOOD in motion pictures; MEALS in motion pictures; COOKING

• Source: American Scholar. Winter2015, Vol. 84 Issue 1, p98-100. 3p.

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Is God really dead in Beverly Hills?

• Authors : Rothman, Stanley

Subjects: RELIGION in motion pictures; MOTION picturesCALIFORNIA; LOS Angeles (Calif.); UNITED States

• Source: American Scholar. Spring96, Vol. 65 Issue 2, p272. 7p.

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Seventy Years of THE AMERICAN SCHOLAR.

Subjects: PUBLISHING; MOTION pictures; POETS

• Source: American Scholar. Autumn2001, Vol. 70 Issue 4, p11. 8p.

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Reassessing Rossellini: Restoration of "Rome Open City," the director's masterpiece, prompts a look at why he later retreated from the neorealism it introduced.

• Authors : Luzzi, Joseph ()

Subjects: ROME Open City (Film); ROSSELLINI, Roberto, 1906-1977; REALISM in motion picturesITALY

• Source: American Scholar. Winter2011, Vol. 80 Issue 1, p102-106. 5p. 1 Color Photograph, 1 Black and White Photograph.

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Globalization and Its Discontents: the directors of "Babel" and "Caché" tell complex stories of families caught in ever-expanding worlds.

• Authors : Locke, Richard

Subjects: HANEKE, Michael, 1942-; FILMMAKERS; GONZALEZ Inarritu, Alejandro, 1963-

• Source: American Scholar. Spring2007, Vol. 76 Issue 2, p114-117. 4p. 1 Black and White Photograph.

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The Lightness of Errol Flynn.

• Authors : DOYLE, BRIAN

Subjects: FLYNN, Errol, 1909-1959; ACTORS; ACTINGUNITED States

• Source: American Scholar. Winter2017, Vol. 86 Issue 1, p100-103. 4p.

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Auteurs Gone Wild: Why the director's cut often turns into an ax murder.

• Authors : Rose, Alex

Subjects: FILMMAKERS; MOTION picture editing; FILM criticism

• Source: American Scholar. Spring2010, Vol. 79 Issue 2, p96-99. 4p. 1 Color Photograph.

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From Oppressed to Oppressors: "The Battle of Algiers" took a pitiless look at the war for Algerian independence, but the filmmakers could not foresee the failures that would result.

• Authors : Smith, Wendy ()

Subjects: BATTLE of Algiers, The (Film); PONTECORVO, Gillo; DOCUMENTARY films

• Source: American Scholar. Autumn2008, Vol. 77 Issue 4, p109-116. 8p. 2 Black and White Photographs.

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Alone at the Movies: My days in the dark with Robert Altman and Woody Allen.

• Authors : Edmundson, Mark

Subjects: FIRST person narrative; MOTION picture audiences; MOTION pictures

• Source: American Scholar. Winter2008, Vol. 77 Issue 1, p63-73. 11p. 2 Black and White Photographs.

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