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Joseph Roth and the end of empire

  • Source: New Statesman. December 8, 2023, Vol. 152 Issue 5746, p68, 4 p.

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Evelyn Waugh is laughing at you: The author's lethally coherent world-view --expressed in novel after novel--is made all the worse for being so persuasive

  • Source: New Statesman. September 8, 2023, Vol. 152 Issue 5733, p46, 3 p.

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Lessons in absurdity: The overnight success of Bonnie Garmus's debut novel is almost as improbable as its contrived plot.

  • Source: New Statesman. 2023, Vol. 152, Issue 5737, pages. 2

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My latest ailment is Mild Exasperation With Everything and I don't know the cure.

  • Source: New Statesman. 2023, Vol. 152, Issue 5735, pages. 1

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What Don DeLillo saw coming.

  • Source: New Statesman. 2022, Vol. 151, Issue 5695, pages. 3

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Colleen Hoover's tales of trauma

  • Source: New Statesman. August 25, 2023, Vol. 152 Issue 5731, p38, 2 p.

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The Secret History at 30: How Donna Tartt's bestselling debut novel about a group of murderous students became a cult classic.

  • Source: New Statesman. 2022, Vol. 151, Issue 5684, pages. 3

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Leftist crusades against elitism will not solve the problem of social immobility.

  • Source: New Statesman. 2023, Vol. 152, Issue 5727, pages. 1

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Conversations with the Devil: Fyodor Dostoevsky was no saint. But 200 years alter his birth, his work shows how we might confront evil in the world

  • Source: New Statesman. December 10, 2021, Vol. 150 Issue 5649, p82, 4 p.

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Why Middlemarch still matters today: Published 150 years ago, George Eliot's epic humanist novel is the antidote to our witless online world.

  • Source: New Statesman. 2021, Vol. 150, Issue 5641, pages. 4

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The haunting of Hilary Mantel: The novelist had to kill Cromwell but is stalked by his ghost. Now the staunch European plans to leave Britain.

  • Source: New Statesman. 2021, Vol. 150, Issue 5636, pages. 6

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The mundanity of spies: For Len Deighton, espionage was not a thrilling solitary pursuit but an extension of the world we live in.

  • Source: New Statesman. 2021, Vol. 150, Issue 5619, pages. 4

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How Simenon found his eye.

  • Source: New Statesman. 2021, Vol. 150, Issue 5612-5614, pages. 4

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The road to revolution.

  • Source: New Statesman. 2020, Vol. 149, Issue 5550, pages. 4

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The search for a national story: How Britain can heal itself in an age of disorder.

  • Source: New Statesman. 2020, Vol. 149, Issue 5539, pages. 4

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Criminal minds: Patricia Highsmith's sly, rich novels do not seem tailor-made for cinema--but her "psychopathic" characters are indelible on screen.

  • Source: New Statesman. 2021, Vol. 150, Issue 5612-5614, pages. 3

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Iris the insoluble.

  • Source: New Statesman. 2019, Vol. 148, Issue 5479, pages. 5

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"I put myself under a huge amount of pressure": The Oscar-nominated film director Lenny Abrahamson on turning to TV with his BBC adaptation of Sally Rooney's Normal People.

  • Source: New Statesman. 2020, Vol. 149, Issue 5517, pages. 3

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The curse of foresight: For four decades, William Gibson's characters have occupied near-futures that have seemed uncannily well judged.

  • Source: New Statesman. 2020, Vol. 149, Issue 5509, pages. 3

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"Writing is always an act of hope": The novelist on how Trump's America shaped her bestselling sequel to The Handmaid's Tale.

  • Source: New Statesman. 2019, Vol. 148, Issue 5489, pages. 3

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The many afterlives of Robinson Crusoe: Defoe wrote Robinson Crusoe 300 years ago and his castaway--capitalist, imperialist, pragmatist--has stood for versions of Englishness ever since.

  • Source: New Statesman. 2019, Vol. 148, Issue 5469.

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Down and out in England: How Robert Tressell's novel The Ragged Trousered Philanthropists became a sacred text for aspiring socialists.

  • Source: New Statesman. 2020, Vol. 149, Issue 5542, pages. 2

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Staring at the sun: My brilliant friend Andrea Levy, a year on from her death.

  • Source: New Statesman. 2020, Vol. 149, Issue 5506, pages. 2

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The voice of the Jewish East End: The neglected postwar fiction of Alexander Baron.

  • Source: New Statesman. 2020, Vol. 149, Issue 5506, pages. 2

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Confronting the meaningless: Thomas Bernhard's work was powered by bile and dread, but the Austrian novelist found laughter in the dark.

  • Source: New Statesman. 2019, Vol. 148, Issue 5502, pages. 2

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  • 1-25 of  161 results for ""Novelists -- Works""