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'Go too far on Tudor-speak, all hey-nonny-nonny, [and] you'll alienate your readers': Alison Weir, Historical Fiction, and the Representation of Tudor History

• Authors : Locke, Hilary Jane

• Source: Parergon. July, 2020, Vol. 37 Issue 2, p151, 19 p.

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Iconicizing kingship in Elizabethan England: strategic acting by Queen Elizabeth I

• Authors : Kizelbach, Urszula

• Source: Studia Anglica Posnaniensia: international review of English Studies. Jan-July, 2012, Vol. 47 Issue 2-3, p147, 14 p.

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Wounded maternity, sharp revenge: Shakespeare's representations of queens in light of the Hecuba myth

• Authors : Tassi, Marguerite A.

• Source: Explorations in Renaissance Culture. Summer, 2011, Vol. 37 Issue 1, p83, 17 p.

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'The imperial vot'ress': divinity, femininity, and Elizabeth I in A Midsummer Night's Dream

• Authors : Clement, Jennifer

• Source: Explorations in Renaissance Culture. Winter, 2008, Vol. 34 Issue 2, p163, 22 p.

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A comparative study of the Dido--Aeneas episode in Virgil's Aeneid and Christopher Marlowe's Dido, Queene of Carthage

• Authors : du Plessis, Donatella

• Source: Akroterion. Annual, 2008, p111, 9 p.

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Editorial

• Source: The Dalhousie Review. Autumn, 2015, Vol. 95 Issue 3, p291, 2 p.

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England's leading lady

• Authors : Alexander, Tasha

• Source: BookPage. Dec, 2016, p30, 1 p.

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Alison Weir, Arguing The Case For Anne Boleyn

• Source: Weekend All Things Considered. Jan 24, 2010

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Yes, Ma'am: How the Queen redefined her role, with a little help from Sir Humphrey

• Source: Spectator. Oct 22, 2011, Vol. 317 Issue 9556, p12, 2 p.

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Royal notebook

• Authors : Hardman, Robert

• Source: Spectator. March 16, 2013, Vol. 321 Issue 9629, p20, 1 p.

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