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Coloniality and the trappings of modernity in Viridiana and The Hand in the Trap

• Authors : Martin-Marquez, Susan

• Source: Cinema Journal. Fall, 2011, Vol. 51 Issue 1, p96, 19 p.

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Roman Machiavels on the Spanish Stage: Pérez de Montalbán's Amor, privanza y castigo

• Authors : Simerka, Barbara

• Source: Bulletin of the Comediantes. January, 2020, Vol. 72 Issue 1, p11, 21 p.

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DISEÑO DEL PERSONAJE FEMENINO EN LA NARRATIVA CUBANA DEL SIGLO XIX: APROXIMACIONES.

• Authors : Ramírez Castellanos, Ronald Antonio¹

Subjects: WOMEN in literature; CUBAN literature; LITERARY characters

• Source: Alpha: Revista de Artes, Letras y Filosofía. 2016, Issue 42, p37-49. 13p.

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How subjects matter: the Kinsey Institute's Sexual Nomenclature: A Thesaurus (1976)

• Authors : Drucker, Donna J.

• Source: Information & Culture. Spring, 2017, Vol. 52 Issue 2, p207, 22 p.

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'The overturning of an arbitrary government': Pigott's radical challenge to standard lexicography

• Authors : Jang, Sunghyun

• Source: Texas Studies in Literature and Language. Fall, 2016, Vol. 58 Issue 3, p251, 27 p.

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The pleasures of simulacra: rethinking the picturesque in Coleridge's Notebooks and 'The Picture; or, The Lover's Resolution'

• Authors : Heydt-Stevenson, Jill

• Source: Nineteenth-Century Prose. Fall, 2002, Vol. 29 Issue 2, p20, 30 p.

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Writing in the 'White Light of Truth': history, ethics, and community in Virginia Woolf's between the acts

• Authors : Foster, J. Ashley

• Source: Woolf Studies Annual. Annual, 2016, Vol. 22, p41, 33 p.

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Dos manuscritos a personagem: o percurso de Alvaro Fragoso, procurador de Evora e da comarca de entre-tejo-e-odiana para os feitos dos forais (revisitando a reforma dos forais de D. Joao II e D. Manuel I)

• Authors : Pinto, Pedro

• Source: EHumanista. Sept, 2015, p125, 29 p.

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About Mark Twain

• Source: Mark Twain Journal. Spring, 2004, Vol. 42 Issue 1, p1, 48 p.

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The inventive crime writers of Catalonia

• Authors : Davis, J. Madison

• Source: World Literature Today. Sept-Oct, 2009, Vol. 83 Issue 5, p10, 3 p.

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