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Getnaked: how to get over your fear of writing about sex

• Authors : Warner, Sharon Oard

• Source: The Writer. February, 2004, Vol. 117 Issue 2, p26, 5 p.

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Undercover agents: true lives revealed: a former FBI special agent guides you through law enforcement and crime

• Authors : Hilton, Alicia

• Source: The Writer. Oct, 2003, Vol. 116 Issue 10, p32, 6 p.

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More than a place: 5 ways setting enhances your story

• Authors : Blythe, Hal; Sweet, Charlie

• Source: The Writer. September, 2003, Vol. 116 Issue 9, p26, 5 p.

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A devil of a good writer: Erik Larson on choosing the right topic, and making it compelling

• Authors : Kovach, Ronald

• Source: The Writer. Sept, 2003, Vol. 116 Issue 9, p20, 5 p.

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Pump up your productivity: work smarter, faster using 6 proven tech strategies. (Bottom Line)

• Authors : Greengard, Samuel

• Source: The Writer. March, 2003, Vol. 116 Issue 3, p46, 4 p.

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Take your characters on a profound journey

• Authors : Lukeman, Noah

• Source: The Writer. August, 2002, Vol. 115 Issue 8, p38, 7 p.

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Point of view: why mystery writers let you see through sleuth's eyes

• Authors : Tapply, William G.

• Source: The Writer. August, 2002, Vol. 115 Issue 8, p26, 5 p.

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Bring your hero back for more: 12 tips for crafting a successful series

• Authors : Poyer, David

• Source: The Writer. August, 2002, Vol. 115 Issue 8, p30, 5 p.

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Need inspiration? Here are 10 ways to jump-start a poem. (Poet to Poet)

• Authors : Batt, Linda

• Source: The Writer. August, 2002, Vol. 115 Issue 8, p20, 4 p.

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Attribution with oomph: when tagging dialogue, don't be hamstrung by austere rules. (Syntax)

• Authors : Plotnik, Arthur

• Source: The Writer. August, 2002, Vol. 115 Issue 8, p15, 4 p.

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Find a fresh voice: techniques to shake you out of a comfortable rut. (Poet To Poet)

• Authors : Verigin, Lisa

• Source: The Writer. April, 2002, Vol. 115 Issue 4, p21, 4 p.

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The fine art of assembly: a noted author on film stars explains how a biography fits the pieces together

• Authors : McGilligan, Patrick

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p29, 6 p.

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Wanted: corporate storytellers: business, education scripts can be a rewarding field. (Market Focus)

• Authors : Holmsten, Brian

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p49, 6 p.

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Begin your screenplay with an outline: you can write a better script if you start with a solid foundation

• Authors : Strauss, Alix

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p41, 4 p.

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Distractions & interruptions: phone calls, progeny and pets give writers pause. (Writers' Exchange)

• Source: The Writer. March, 2002, Vol. 115 Issue 3, p34, 7 p.

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Mistakes to avoid in writing mysteries

• Authors : Hyde, Eleanor

• Source: The Writer. Nov, 1998, Vol. 111 Issue 11, p12, 4 p.

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Poets speak in many voices

• Authors : Keithley, George

• Source: The Writer. Nov, 1998, Vol. 111 Issue 11, p19, 4 p.

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Fitting real people into your historical fiction

• Authors : Jakes, John

• Source: The Writer. Nov, 1998, Vol. 111 Issue 11, p9, 4 p.

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The maker's eye

• Authors : Murray, Donald M.

• Source: The Writer. Oct, 1998, Vol. 111 Issue 10, p20, 4 p.

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Writing matters

• Authors : Alvarez, Julia

• Source: The Writer. Sept, 1998, Vol. 111 Issue 9, p7, 5 p.

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Writing mysteries for young people

• Authors : Kehret, Peg

• Source: The Writer. June, 1998, Vol. 111 Issue 6, p14, 4 p.

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Sagging middles and dead ends

• Authors : Fleischman, Albert Sidney

• Source: The Writer. Feb, 1998, Vol. 111 Issue 2, p7, 4 p.

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Writing a first novel

• Authors : Ball, Pamela; Chao, Patricia; McKinnon, Douglas

• Source: The Writer. July, 1997, Vol. 110 Issue 7, p19, 5 p.

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Expanding your feature articles into books

• Authors : Wells, Rosemary

• Source: The Writer. August, 1996, Vol. 109 Issue 8, p9, 4 p.

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Think like a teenager: get real if you want to capture the hearts and minds of young adult readers

• Authors : Shoup, Barbara

• Source: The Writer. Oct, 2003, Vol. 116 Issue 10, p30, 3 p.

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Set the right pace and energize your writing

• Authors : Campbell, Polly

• Source: The Writer. March, 2003, Vol. 116 Issue 3, p43, 3 p.

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The responsibility to write: stay true to your heart and mind, not the latest fad. (Off The Cuff)

• Authors : Paterson, Katherine

• Source: The Writer. March, 2003, Vol. 116 Issue 3, p20, 3 p.

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More than pretty pictures: young readers want appealing characters to go with the art

• Authors : Iverson, Carol

• Source: The Writer. April, 2002, Vol. 115 Issue 4, p32, 3 p.

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Set your writing free: a writer offers an entertaining look at confronting and conquering the demons that hinder your creativity

• Authors : English, Craig

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 34

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The great idea chase: how famous authors stumbled upon inspiration far away from the writing desk

• Authors : Johnson, Celia Blue

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 30

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What all writers can learn from mystery authors: when a mainstream novelist got a story published in Ellery Queen, she gained some valuable insights about the genre

• Authors : Breen, Susan

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 37

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Does a story need an antagonist?

• Authors : Reissenweber, Brandi

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 7

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4 lessons for writing graphic novels: with all kinds of narrative possibilities, you're limited only by your imagination

• Authors : Baldino, Greg

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 47.

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A successful journey into e-books: a crime-fiction writer describes how and why she gave up on hard copies and bookstores and embraced the digital world instead

• Authors : Sellers, L.J.

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 42

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The mystery behind the mystery novel

• Authors : Kirchner, Bharti

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 38

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Write your book in bite-sized chunks: an author of 40 books offers an easy way to take the fear out of the process

• Authors : Perret, Gene

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 32

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Advice from the crypt: Edgar Allan Poe speaks to writers about preplanning your work, knowing the ending, concentrating on a single effect, and showing discipline and character

• Authors : Stevens, B.K.

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 22

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First-person plural gives 'us' a role

• Authors : Miller, Mary

• Source: The Writer. Oct, 2012, Vol. 125 Issue 10, 13.

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The art of writing about 'sacred' things: the author offers advice on one of the thorniest problems we face--how to address those issues and people that are seemingly private and off-limits to readers

• Authors : Caldwell, Kelly

• Source: The Writer. Sept, 2012, Vol. 125 Issue 9, 34

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Put objects to work in your fiction: something as simple as a quilt or an accordion can mean much more than just itself, opening a window onto theme, character, setting, tone and more

• Authors : Corso, Paola

• Source: The Writer. Sept, 2012, Vol. 125 Issue 9, 28

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How to take your fiction to the next level: a Simon & Schuster novelist who wasn't creatively satisfied after 5 novels offers tips on getting even better

• Authors : Satran, Pamela Redmond

• Source: The Writer. Sept, 2012, Vol. 125 Issue 9, 30

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Second person puts 'you' in the story

• Authors : Miller, Mary

• Source: The Writer. Sept, 2012, Vol. 125 Issue 9, 13.

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How can I make summary interesting?

• Authors : Reissenweber, Brandi

• Source: The Writer. Sept, 2012, Vol. 125 Issue 9, 7.

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Can you be a source in your article? A seasoned freelancer explains when it's OK to share your own experiences

• Authors : James-Enger, Kelly

• Source: The Writer. August, 2012, Vol. 125 Issue 8, 37.

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Keep it moving: A piece of fiction needs forward motion, and for that you'll need to build the pressure

• Authors : Bugge, Carole

• Source: The Writer. August, 2012, Vol. 125 Issue 8, 34

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Creating a pattern for the page: the subtle art of counting syllables can give your poetry shape and unity

• Authors : Taylor, Marilyn L.

• Source: The Writer. August, 2012, Vol. 125 Issue 8, 15.

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Making short stories: from bits and pieces: an award-winning writer offers tips on getting a story started and keeping it going

• Authors : Moore, Linda McCullough

• Source: The Writer. August, 2012, Vol. 125 Issue 8, 28.

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Possibilities abound with third person

• Authors : Reissenweber, Brandi

• Source: The Writer. August, 2012, Vol. 125 Issue 8, 11.

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Should I revise as I write?

• Authors : Reissenweber, Brandi

• Source: The Writer. August, 2012, Vol. 125 Issue 8, 7.

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From real life to the page: what the shift from realistic novels to memoir says about the literary culture and us

• Authors : Edwards, Art

• Source: The Writer. July, 2012, Vol. 125 Issue 7, 13

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