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'We call that treaty ground': the representation of Aboriginal land disputes in Wayland Drew's Halfway Man and M.T. Kelly's A Dream Like Mine

• Authors : Langston, Jessica

• Source: English Studies in Canada. June, 2012, Vol. 38 Issue 2, p179, 19 p.

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Can art speak the truth about violence against indigenous women?

• Authors : Tam, Ruth

• Source: Washingtonpost.com. 2019.

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Making stories (artist's statement)

• Authors : Racette, Sherry Farrell

• Source: Frontiers: A Journal of Women's Studies. June-Sept, 2008, Vol. 29 Issue 2-3, p40, 11 p.

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Performing aboriginalities: a cross-cultural perspective

• Authors : Achitei, Simona

• Source: JNZL: Journal of New Zealand Literature. Jan, 2007, Vol. 24 Issue 2, p117, 18 p.

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Critical historiography in Atanarjuat The Fast Runner and Ten Canoes

• Authors : Crosbie, Tom

• Source: JNZL: Journal of New Zealand Literature. Jan, 2007, Vol. 24 Issue 2, p135, 18 p.

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Appropriating guilt: reconciliation in an Aboriginal Canadian context

• Authors : Rymhs, Deena

• Source: English Studies in Canada. March, 2006, Vol. 32 Issue 1, p105, 19 p.

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Writer's union shamefully ducks legitimate debate.

• Authors : Kay, Jonathan

• Source: National Post. 2017, Vol. 19, Issue 163, pages. 1

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Helen's quilt as autobiographical, social, and political text in Thomas King's Truth and Bright Water

• Authors : Weagel, Deborah

• Source: Mosaic (Winnipeg). June, 2012, Vol. 5 Issue 2, 113.

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Winning words: two aspiring writers earn top prize in the Canadian Aboriginal Youth Writing Challenge

• Source: The Beaver: Exploring Canada's History. August, 2008, Vol. 88 Issue 4, p59, 3 p.

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Love and genocide: After decades of telling other people's stories, the aboriginal filmmaker focuses on the tragedies of her own people. The power is still there, but the anger is gone, SARAH HAMPSON writes

• Authors : Hampson, Sarah

• Source: Globe & Mail (Toronto, Canada). October 21, 2006, R3

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