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El paradigma sonoro y la emergencia del objeto. A propósito de Porta metal.lica i violí de Antoni Tàpies.

• Authors : Pardo-Salgado, Carmen

Subjects: TWENTIETH century; RESONANCE; TONE color (Music theory)KANDINSKY, Wassily, 1866-1944; WAGNER, Richard, 1813-1883

• Source: Arte, Individuo y Sociedad; jul-sep2023, Vol. 35 Issue 3, p771-787, 17p

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Ecologies of Sound with Regard to Arrhythmia.

• Authors : Pardo-Salgado, Carmen

Subjects: SOUND art; ARRHYTHMIA; SOUND installations (Art)

• Source: Organised Sound; Apr2022, Vol. 27 Issue 1, p86-93, 8p

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Conversando con Félix Blume.

• Authors : Jiménez Carmona, Susana; Pardo Salgado, Carmen

• Source: Laocoonte; 2021, Issue 8, p59-69, 11p

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Aperturas y derivas del arte sonoro.

• Authors : Jiménez Carmona, Susana; Pardo Salgado, Carmen

• Source: Laocoonte; 2021, Issue 8, p51-55, 5p

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The Influence of John Cage on Spanish Experimental Music.

• Authors : Pardo Salgado, Carmen

Subjects: CAGE, John, 1912-1992; AVANT-garde music; MARCHETTI, WalterPAMPLONA (Spain)

• Source: Contemporary Music Review. Feb-Apr2019, Vol. 38 Issue 1/2, p44-75. 32p.

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Las voces de la música en María Zambrano.

• Authors : Pardo Salgado, Carmen

Subjects: 20TH century music; MYTH; REVISIONSARISTOTLE, 384-322 B.C.

• Source: Aurora: Papeles del Seminario María Zambrano; 2020, Issue 21, p50-60, 11p

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