프로이드의 정신분석학에 의한 영화 속 꿈 표현의 비교 연구 (영화 “멀홀랜드 드라이브(2001)”와 “인셉션 (2012)”를 중심으로) (Korean)

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  • Author(s): 이태훈
  • Source:
    Journal of Digital Convergence; Oct2017, Vol. 15 Issue 10, p437-444, 8p
  • Additional Information
    • Alternate Title:
      A study of comparison about dream sequence in film based on Freud's Psychoanalysis (Focusing on the film “Mulholland Drive(2001)”and “Inception(2012)”). (English)
    • Abstract:
      Christopher Nolan's film "Inception (2012)", which depicts the world of dreams as a unique space-time and opens a new chapter in the expression of dreams, portrays the dreamy world of unconsciousness. However, I can find limitations and contradictions in the expression of the actual dreams and essence of unrealistic structures and forms. I can find David Lynch's movies “Mulholland drive (2001)”, which are closer to Freud's psychoanalysis in expressing the actual presentation process of dreams Through comparative analysis, I try to analyze the interpretation and context of the dream mentioned by Freud. The film "Inception" can be appreciated in terms of space time and rich imagination created from the point of view of science fiction movies, but it shows that logical reasonability is weak in view of applying the essence of dream. On the other hand, the film "Mulholland Drive" describes the illogical, confusing and unhappy feeling of unconsciousness by giving logic and order based on the interpretation of Freud's psychoanalytic dreams, is. In this way, it is possible to portray more realistic scenes of dreams only through the portrayal of dreams and unconsciousness based on Freud's psychoanalytic viewpoint. [ABSTRACT FROM AUTHOR]
    • Abstract:
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