A war of words: the cultural meanings of the First World War in Britain and Germany.

WORLD War I in literature; CULTURAL values; FIRST person narrative; COMBATANTS & noncombatants (International law); WORLD War I campaigns; WORLD War I casualties; LITERATURE & transnationalism

UNITED KingdomReport Available; GERMANYReport Available

This article examines the relationship between soldiers’ contemporaneous accounts of the First World War and writers’ later representations of combatants’ experiences in novels and other types of ‘war literature’. It argues that post-war literary depictions of such experiences closely resembled soldiers’ own testimony, serving to disseminate and legitimize combatants’ earlier, private revelations of the horrific reality of modern warfare. At the time and afterwards, these accounts of the fighting co-existed with patriotic and heroic descriptions of the war. Here, I investigate the transnational transfer and reception of literary works. Through a comparison of literary treatments of the conflict in Britain and Germany, the article highlights the significance of the outcome of the First World War for its longer-term cultural legacy. The war was described in similar terms in both countries, but criticism of the war effort proved much more divisive in Germany than in the United Kingdom, affecting the ways in which military conflict was remembered and understood. [ABSTRACT FROM AUTHOR]

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