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Voci di Pasolini. L'uso della voice-over nel teatro e nel cinema di fiction.
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- Author(s): Marchese, Lorenzo1
- Source:
Cuadernos de Filologia Italiana. 2022, Vol. 29, p47-65. 19p. - Source:
- Additional Information
- Alternate Title: Voices from Pasolini. Voice-over in Pasolini's plays and fiction movies.
- Subject Terms:
- Abstract: This essay is a preliminary survey on the voice-over (generally attributable to the author's figure) in two fields of Pasolini's art: theatre and fiction movies. After a historical and theoretical introduction to the voice-over throughout 20th century, I aim to study the poetic implications of this narrative device in Affabulazione, Calderón, Uccellacci e uccellini and La sequenza del fiore di carta. [ABSTRACT FROM AUTHOR]
- Abstract: Nel presente articolo si inizia una ricognizione della voce fuori campo, attribuibile a una figura d'autore, entro due ambiti della produzione di Pasolini: il teatro e il cinema di fiction. Dopo una premessa storica e teorica sulla voce fuori campo, si riflette sulle implicazioni poetiche ed espressive di questo strumento in Affabulazione, Calderón, Uccellacci e uccellini e La sequenza del fiore di carta. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Cuadernos de Filologia Italiana is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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