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Pop-Ästhetiken: Eine Bilanz. (German)
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- Author(s): Hecken, Thomas; Berlich, Sebastian
- Source:
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft (ZÄK); 2023, Vol. 68 Issue 2, p125-146, 22p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: ›Pop‹ often functions as an abbreviation of ›popular‹. If that is the case, ›pop‹ includes talk of ›simple,‹ ›catchy‹, ›vivid‹ and/or ›standardised‹, ›schematised‹ and/or ›charming‹, ›spectacular‹ artefacts as well as their ›lively‹, ›unmediated‹ or ›conditioned‹, ›passive‹, ›merely sensual‹ reception. This essay reconstructs precisely those approaches to a pop aesthetic, from Richard Hamilton, among others, to cultural studies and German-language pop discourse, that deviate from this and o(er an independent position. Three areas of such pop aesthetics are examined in more detail: 1. determinations of individual pop arts and pop-specific value judgements, 2. forms of not purely discursive pop aesthetics, 3. provisions for an overarching pop aesthetic. In the comprehensive inspection of corresponding presentations on pop music, pop art, pop literature and pop design, characteristics cited, such as superficiality and artificiality, are examined for their viability, deficits are identified and, in some cases, new proposals are made. [ABSTRACT FROM AUTHOR]
- Abstract: ›Pop‹ fungiert oft als eine Abkürzung von ›populär‹. Dann fallen unter ›Pop‹ die Reden von ›einfachen‹, ›eingängigen‹, ›anschaulichen‹ und/oder ›standardisierten‹, ›schematisierten‹ und/oder ›reizvollen‹, ›spektakulären‹ Artefakten sowie von ihrer ›lebendigen‹, ›unvermittelten‹ oder ›konditionierten‹, ›passiven‹, ›lediglich sinnlichen‹ Rezeption. Der vorliegende Aufsatz rekonstruiert genau jene Ansätze einer Pop-Ästhetik von u.a. Richard Hamilton über Cultural Studies bis hin zum deutschsprachigen Popdiskurs, die davon abweichen und eine eigenständige Position bieten. Drei Bereiche solcher Pop-Ästhetik werden näher untersucht: 1. Bestimmungen einzelner Popkünste und popspezifische Werturteile, 2. Formen nicht rein diskursiver Pop-Ästhetiken, 3. Bestimmungen zu einer übergreifenden Popästhetik. Bei der umfassenden Inspektion entsprechender Darlegungen zur Popmusik, zur Pop-Art, zur Popliteratur und zum Popdesign werden angeführte Merkmale wie z.B. Oberflächlichkeit und Künstlichkeit auf ihre Tragfähigkeit hin überprüft, Defizite festgestellt und teilweise neue Vorschläge unterbreitet. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft (ZÄK) is the property of Felix Meiner Verlag GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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