Библиотека у сопственој соби: ауторке, јунакиње и књиге од Вирџиније Вулф до данас (Serbian)

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    • Alternate Title:
      A Library in the Room of One's Own: Women Authors, Female Characters and Books from Virginia Woоlf Until Today. (English)
    • Abstract:
      The literary transposition of women's grim historical experience of a centuries long marginalization has often been met with antagonistic, or at least ambivalent reactions. If the mediation of women's experience calls for the reconstruction of the interpretative norms and practices related to the making of a literary work, it is necessary to reexamine core metaphors and symbols such as libraries and books. Revisiting the achievement of Virginia Woolf, the paper delves into the formative elements of women's experience which help create a literary tradition of their own, offering at the same time a resolute reconsideration of feminine plots, as well as their principal motifs and narrative strategies. The male-defined standards are contrasted with the achievement of gynocriticism and the case of Sarah Waters serves as an example of how the heroines of Victorian literature grew out of the provincial and parochial into centralised symbols of both new identities and new fictional genres. In their journey from cultural margins to diversity, women writers have managed to disrupt the malecentredness of the literary canon and change it irrevocably, despite the ambivalent and contradictory associations books and libraries invoked in them. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Кад одлучи да пише о положају жене у свом времену, Вирџинија Вулф истраживање почиње од библиотечке претраге; есеј Сопствена соба (1929) може се данас читати као виртуелно путовање скривеном и потискиваном женском историјом која, ма како оскудна и анонимна, ипак постоји у оквирима Британске библиотеке. Роман Џепарош (2005) британске списатељице Саре Вотерс користи мотиве библиотеке, текста и читаоца да би проговорио о темама идентитета и утицаја. Колико су књиге и библиотеке важне у карактеризацији јунакиња британске прозе и есејистике двадесетог века, тема је овог рада. У самој анализи узима се у обзир и конфликтан однос према тематизацији женског искуства, које се рађа из свести о томе да књижевна традиција оскудева у јасном и артикулисаном промишљању женских тема. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Citaliste: The Scientific Journal on Theory & Practice of Librarianship is the property of Citaliste: The Scientific Journal on Theory & Practice of Librarianship and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)