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Entre le mythe et l'histoire: L'oscillation du romanesque (Between Myth and History: The Oscillation of the Romanticism).

• Authors : Tremblay, Victor Laurent

Subjects: Fiction; History; Literary Styles

• Source: Canadian Modern Language Review. Oct 1989 46(1):204-213.10

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L'art du millefeuille dans l'écriture de l'histoire.

• Authors : Angard, Laurent

Subjects: HISTORICAL fiction; AUTHORS; NINETEENTH century

• Source: Acta Fabula; Jun2023, Vol. 24 Issue 6, p1-1, 1p

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News for Bibliophiles.

Subjects: PUBLISHING; BOOKS; LITERATURE

• Source: Nation. 7/18/1907, Vol. 85 Issue 2194, p53-54. 2p.

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Sans carte ni territoire : écrire la débâcle de 1940.

• Authors : Sigalas, Clément

Subjects: GERMAN occupation of France, 1940-1945; WORLD War II; GEOGRAPHYSARTRE, Jean-Paul, 1905-1980

• Source: Acta Fabula; Oct2023, Vol. 24 Issue 9, p1-1, 1p

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Tribunal, tribune, métaphores : poétique du procès anarchiste.

• Authors : Roman, Myriam

Subjects: LEGAL literature; TRIALS (Law); PROPAGANDA

• Source: Acta Fabula; Mar2023, Vol. 24 Issue 3, p1-1, 1p

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Performer l'archive : une posture critique chez D'Arcy Wilson et Natascha Niederstrass.

• Authors : Bouraly, Lisa

Subjects: ARCHIVES; HISTORY

• Source: Vie des Arts; hiver2020, Issue 257, p37-39, 3p

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Education Full Text (H.W. Wilson)

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Locali veut créer un studio-son à Londres avant la fin de l'année.

• Authors : M. M.

Subjects: VOICE actors & actresses; SOUND studios; WEBSITESLOCALI (Company)

• Source: Intermedia; 3/26/2014, Issue 1246, p8-8, 1/2p

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Generation critique.

• Authors : Moisdon, Stéphanie

Subjects: 20TH century art; ART exhibitions; PARIS (France) art sceneGUGGENHEIM Museum Bilbao (Spain)ARMLEDER, John; RAMETTE, Philippe; HIRST, Damien, 1965-

• Source: Beaux Arts Magazine; dec2013, Issue 354, p68-77, 10p

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Les arts de l'Islam, du fantasme à la modernité.

• Authors : Goldberg, Itzhak

Subjects: ISLAMIC art exhibitions; ISLAMIC art & symbolism; WESTERN influences on Islamic artMUSEE des Beaux-Arts (Lyon, France)BROCARD, Philippe-Joseph; MATISSE, Henri, 1869-1954

• Source: Beaux Arts Magazine; jui2011, Issue 324, p102-109, 8p

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