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- Author(s): Prodger, Michael (AUTHOR)
- Source:
New Statesman. 7/3/2020, Vol. 149 Issue 5527, p62-63. 2p. 1 Color Photograph.- Subject Terms:
- Source:
- Additional Information
- Abstract: The Critics: Arts Gustave Caillebotte (1848-94) was a paradoxical figure: he was a major patron who was also a major painter, an impressionist who wasn't an impressionist, a modest man who thrived among noisy spirits, an innovator who was also a traditionalist, an urban figure lured by the out-of-town, and a significant artist who for decades was lost in semi-obscurity. Although Caillebotte did not show works at the infamous 1874 exhibition that announced the impressionists to a bemused and outraged public, he did contribute eight paintings to their second show in 1876. The river Yerres flows some 20 kilometres south-east of Paris and the Caillebotte family owned a large, white-stucco villa on its banks; it was a place where Gustave liked to row and swim. [Extracted from the article]
- Abstract: Copyright of New Statesman is the property of New Statesman Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Abstract:
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