De Viridiana de Luis Buñuel a Carmen de Carlos Saura. Conversaciones sobre montaje cinematográfico con Pedro del Rey. (Spanish)

From Viridiana by Luis Buñuel to Carmen by Carlos Saura. Conversations about cinematographic montage with Pedro del Rey. (English)

Dialogue with the famous film editor Pedro del Rey del Val about his extensive and prolific career in the film industry. Since his beginnings in the industry as an assistant editor in the late 1940s, Pedro del Rey has been responsible for the editing of some of the most iconic and successful titles in Spanish cinema during the second half of the 20th century. In his more than two hundred films he has worked under the orders of such famous directors as Luis Buñuel, Carlos Saura, Vicente Escrivá, Francisco Regueiro, Jaime Chávarri, Julio Diamante or Basilio Martín Patino, among many others. In addition, from 1995 and for twelve years he has been a second and third year Film Editor teacher at the School of Cinematography and Audiovisual of the Community of Madrid (ECAM). An exceptional first-hand journey through the history of our cinema and through one of its most important and, at the same time, unknown to the general public, the cinematographic montage, through the point of view and the experiences lived by one of its main protagonists. [ABSTRACT FROM AUTHOR]

Diálogo con el célebre montador cinematográfico Pedro del Rey del Val en torno a su extensa y prolífica carrera en la industria cinematográfica. Desde sus comienzos en la industria como ayudante de montaje a finales de los años cuarenta, Pedro del Rey ha sido responsable del montaje de algunos de los títulos más emblemáticos y exitosos del cine español durante la segunda mitad del siglo XX. En sus más de doscientas películas ha trabajado a las órdenes de directores tan célebres como Luis Buñuel, Carlos Saura, Vicente Escrivá, Francisco Regueiro, Jaime Chávarri, Julio Diamante o Basilio Martín Patino, entre muchos otros. Además, a partir de 1995 y durante doce años ha sido profesor de Montaje de segundo y tercer curso en la Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid (ECAM). Un excepcional recorrido de primera mano por la historia de nuestro cine y por uno de sus oficios más importantes y, a la vez, desconocidos para el gran público, el montaje cinematográfico, a través del punto de vista y las experiencias vividas por uno de sus principales protagonistas. [ABSTRACT FROM AUTHOR]

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