Teologija podobe. (Slovenian)

Theology of Image. (English)

The paper deals with three paintings by Franz Ignaz Flurer (Augsburg, 1688 -- Graz, 1742), one of the leading Styrian artists in the first half of the 18th century. The Delivery of the Keys to St. Peter and Conversion of Saul from 1737 in the main altar of St. Peter's church in Malečnik were commissioned by the ambitious and theologically educated parish priest, Johann Baptist Sittich. The paper comprises a thorough analysis of The Delivery of the Keys, in which Flurer complemented the traditional iconographic scheme by adding St. Michael and heavenly Jerusalem to the composition. The Conversion of Saul is based on a print after Rubens. For one of the side altars, Flurer painted The Fourteen Holy Helpers; the painting, in the style typical of his oeuvre, was attributed to the artist as early as 1923, but later became known as a "good anonymous work". Comparison reveals that Flurer's Fourteen Holy Helpers were probably influenced by Hans Adam Weissenkircher's and Johann Veit Hauckh's paintings in Graz and possibly by a work by Georg Asam in the monastery church in Tegernsee. [ABSTRACT FROM AUTHOR]

V prispevku so obravnavane tri slike Franza Ignaza Flurerja (Augsburg, 1688 -- Graz, 1742), enega vodilnih štajerskih umetnikov prve polovice 18. stoletja. Podobi v velikem oltarju cerkve sv. Petra v Malečniku Izročanje ključev in Savlovo spreobrnjenje je naslikal leta 1737 za ambicioznega teološko izobraženega župnika Janeza Krstnika Sitticha. V članku je natančno analizirana slika Kristusovega izročanja ključev sv. Petru, ki z upodobitvijo sv. Mihaela in nebeškega Jeruzalema precej nadgrajuje likovno tradicijo. Savlovo spreobrnjenje je nastalo v naslonu na grafiko po Rubensu. Za enega od stranskih oltarjev je Flurer naslikal Štirinajst priprošnjikov v sili; podoba s prepoznavnim umetnikovim jezikom mu je bila pripisana že leta 1923, vendar je kasneje obveljala za »kakovostno delo neznanega avtorja«. Kot kažejo primerjave, sta na Flurerjevo podobo verjetno vplivali graški sliki Hansa Adama Weissenkircherja in Johanna Veita Hauckha, morda pa tudi slika Georga Asama za samostansko cerkev v Tegernseeju. [ABSTRACT FROM AUTHOR]

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