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Keith Summey North Charleston Library
Closed due to operational issues.
Phone: (843) 744-2489
Folly Beach Library
9 a.m. - 2 p.m.
*open the 2nd and 4th Saturday
*open the 2nd and 4th Saturday
Phone: (843) 588-2001
Main Library
9 a.m. - 5 p.m.
Phone: (843) 805-6930
West Ashley Library
9 a.m. - 5 p.m.
Phone: (843) 766-6635
Wando Mount Pleasant Library
9 a.m. - 5 p.m.
Phone: (843) 805-6888
McClellanville Library
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Phone: (843) 887-3699
Miss Jane's Building (Edisto Library Temporary Location)
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Phone: (843) 869-2355
John L. Dart Library
9 a.m. - 5 p.m.
Phone: (843) 722-7550
St. Paul's/Hollywood Library
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Phone: (843) 889-3300
Mt. Pleasant Library
9 a.m. – 5 p.m.
Phone: (843) 849-6161
Dorchester Road Library
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Phone: (843) 805-6892
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Phone: (843) 884-9741
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Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare.
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- Author(s): Amelang, David J.1
- Source:
Bulletin of the Comediantes. 2019, Vol. 71 Issue 1/2, p119-134. 16p. - Source:
- Additional Information
- Subject Terms:
- Abstract: One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. Indeed, actresses in Spain played an active role in the creative process of theater-making and could rise to lead their own acting companies and even write their own plays. With this distinction in mind, this article uses quantitative analysis to gauge how Lope de Vega and William Shakespeare—as contemporaries and leading dramatists of their respective countries—depicted female characters in their plays. A comparative measurement of the number of lines pronounced by female as opposed to male characters in the dramatic works of these two playwrights indicates a significant disparity between the two. This quantitative difference invites consideration of the presence—or lack thereof—of actresses in each of the two national theaters, with implications for the amount of speech, protagonism, and agency allocated to female characters in their respective plays. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Bulletin of the Comediantes is the property of Bulletin of the Comediantes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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