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Humanity adrift: race, materiality, and allegory in Alfonso Cuaron's Children of Men

• Authors : Chaudhary, Zahid R.

• Source: Camera Obscura. Dec, 2009 Issue 72, p73, 110 p.

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Dolls in fragments: daisies as feminist allegory

• Authors : Lim, Bliss Cua

• Source: Camera Obscura. Dec, 2001, p37, 41 p.

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Allegory and the aesthetics of becoming-woman in Marziyeh Meshkini's 'The Day I Became a Woman'

• Authors : Langford, Michelle

• Source: Camera Obscura. May, 2007 Issue 64, p1, 41 p.

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'I have one daughter and that is Egyptian cinema': Aziza Amir amid the histories and geographies of national allegory

• Authors : Dickinson, Kay

• Source: Camera Obscura. May, 2007 Issue 64, p136, 42 p.

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The adolescent as postcolonial allegory: Strategies of intersubjectivity in recent Portuguese films

• Authors : Ferreira, Carolin Overhoff

• Source: Camera Obscura. June, 2005 Issue 59, p34, 38 p.

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The Body as Foundation of the Screen: Allegories of Technology in Atom Egoyan's Speaking Parts.

• Authors : Río, Elena del

Subjects: ALLEGORY; TECHNOLOGICAL innovationsSPEAKING Parts (Film)EGOYAN, Atom, 1960-

• Source: Camera Obscura; May96, Issue 38, p92-115, 24p

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Sight, Insight, and Power: Allegory of a Cave.

• Authors : Kuntxel, Thierry

Subjects: MOTION pictures; NARRATIVE inquiry (Research method)MOST Dangerous Game, The (Film)WISE, Robert, 1914-2005

• Source: Camera Obscura; Fall80, Issue 6, p90-110, 21p

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The rhetoric of passion

• Authors : Desilets, Sean

• Source: Camera Obscura. Sept, 2003 Issue 53, p57, 36 p.

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Dangerous spaces: Safe

• Authors : Potter, Susan

• Source: Camera Obscura. Sept, 2004 Issue 57, p125, 32 p.

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Diva traffic and male bonding in film:teaching opera, learning gender, race, and nation

• Authors : Nero, Charles I.

• Source: Camera Obscura. June, 2004 Issue 56, p46, 28 p.

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